Striking red poppy, five wide rounded petals, each one outlined in heavy scratchy black running stitches that give it that hand-drawn ink look. Inside each petal the fill is a solid saturated red satin stitched at a slight angle so it catches the light differently from different viewing angles. The very centre button is a small dense dark circle. Then behind the whole flower, radiating outward in three or four directions, are loose red stitch strokes that look like ink or paint flicking off a brush. Its not tidy and its not meant to be.
The stem is a single slim line in near-black with small irregular leaf shapes growing off it, each leaf outlined the same scratchy way as the petals. Those leaves dont have a heavy fill, just enough satin to show the shape. The whole thing is very graphic, the kind of design that reads clearly from across a room on a plain white or cream background.
Three colours total which keeps colour changes short but the stitch density is high at 624 per square inch and the big 7.5-inch version clocks 30k stitches. Use a medium-weight cutaway on stretch fabrics and a stiff tearaway below plain cotton. The ink-splash strokes around the edges are individual run stitches so they need proper stabilisation or they can drag on looser weaves. Float a water-soluble topping on any textured fabric so those fine stray stitches dont sink into the pile. Skip dark base colours entirely, the contrast between white negative space and the red is what makes the graphic effect work.
People use this for Remembrance Day projects, botanical tote bags, linen cushions, art pieces meant to be framed and hung. I get messages about it in autumn, last october someone stitched a set of 5-inch versions on cream linen squares and framed them as a series for a hallway. Bold florals that arent oversentimental tend to get used that way. Reach out through the shop if the outer splash strokes catch on your stabiliser and Ill tighten the satin run.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Remembrance Day tote bags and accessoriesStitch the 6-inch on a cream tote for a Remembrance Day fundraiser bag at a school or community event
- Framed linen hoop art for a botanical wall displayHoop natural linen in the 7-inch, frame it in a black box frame, and hang it as a botanical print alternative
- Linen cushion covers with a graphic floral panelCenter the 5-inch on a cream linen cushion cover and pair with plain red piping to pull the palette through
- Canvas tote bag with bold single-flower placementUse the 4-inch on a canvas tote with a wide strap so the graphic sits centred and isnt hidden by a shoulder
- White cotton tea towel kitchen accentRun the small 3.5-inch on a cream tea towel as a bold corner accent that works in a modern or farmhouse kitchen
- Denim jacket back panel or sleeve placementPlace the 5-inch on the upper back of a denim jacket where the white negative space reads well against indigo
- Floral-themed apron for a craft studio or kitchenEmbroider on a full-coverage canvas apron for someone who runs art classes or a floral-themed small business
- Fabric wall hanging for a studio or reading nookStitch on natural calico, stretch over a canvas frame, and hang as a textile art piece in a reading room or studio
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.01 in | 14,189 |
| 4.51 × 3.87 in | 18,016 |
| 5.51 × 4.72 in | 21,899 |
| 6.51 × 5.58 in | 26,043 |
| 7.51 × 6.44 in | 30,203 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










