Knocked out this one after a customer kept asking for something that worked as both a nature piece and a spiritual symbol. Its a leaf shape overall, like a wide teardrop pointing down to a short stem, but the whole inside is carved up into a tree-of-life illustration. The main trunk rises from the stem and splits into thick branches, then thinner ones, and the tips carry these tiny individual leaves that read almost like ink dots at the smaller sizes.
Everything is black. One colour, one thread run, no stops except for trims. The outer leaf silhouette is solid and heavy, which gives the design a clean edge on fabric. Inside, the branching uses a mix of satin strips on the thicker limbs and finer directional fill on the smaller twigs so theres actual texture variation even though its monochrome. At the big size, 5.23 by 7.5 inches, you can count individual veins. At the smallest, 2.45 by 3.5, the whole thing reads as a bold dark medallion.
Density sits at 606 stitches per square inch with a max of 23,774 on the largest size, so this is a proper mid-weight stitch out. Hoop on a firm cutaway stabiliser, especially on knits. Use a 75/11 sharp needle on wovens, bump to an 80/12 on denim or canvas. Avoid running it on sheer or super loose weave fabrics where the underlay pulls the silhouette edges inward. And last march a customer from a craft fair ordered the 4-in size for a set of linen tote bags and said the judges at her local guild show stopped to photograph them, which was a nice message to get.
Pop the smallest size on a journal cover, a wooden hoop for wall art, or the chest pocket of a dark linen shirt. Use the medium on a cushion cover. Try the biggest on a throw blanket panel or a canvas tote. Keep the background light so the black reads crisp, pale linen, cream cotton, or soft grey work especially well. Skip coloured or printed base fabric, the black loses its contrast.
Best results come from slowing the machine to around 700 SPM on the densest sections. Add a layer of water-soluble topping if stitching onto terry cloth or any looped surface so the fine branch tips dont sink into the pile. Holler if the inner branching looks distorted after stitching and Ill check the file version you have.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen tote bag centre printRun the 4-inch on a natural linen tote and the bold black silhouette reads from across a market stall
- Wooden embroidery hoop wall artStitch the medium size in a 6-inch hoop, leave the fabric raw-edged, and hang it as a framed botanical wall piece
- Journal or notebook cover personalisationPop the smallest size centred on a hard-cover journal cloth spine for a nature-themed gift that looks custom
- Denim jacket back panelPlace the 5-inch on the back panel of a denim jacket in black thread and it reads like a bold tattoo-style patch
- Cushion cover centrepieceCentre the large size on a natural canvas cushion cover and pair it with dark throw cushions for a moody living room corner
- Cotton canvas throw pillowStitch on a pale cotton throw pillow for a woodland or cottagecore bedroom theme that doesnt look mass-produced
- Pocket detail on a linen shirtUse the small size on a chest pocket of a linen button-down shirt for a subtle botanical detail that customers notice up close
- Memorial piece or sympathy giftCustomers have ordered it as a sympathy or memorial gift, stitched on a cream cotton cloth and framed with dried pressed leaves
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.50 × 2.45 in | 11,084 |
| 4.50 × 3.14 in | 14,116 |
| 5.50 × 3.84 in | 17,146 |
| 6.50 × 4.54 in | 20,369 |
| 7.50 × 5.23 in | 23,774 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










