Its a horse head in full profile, facing left, done in a geometric tribal style where the whole face and neck are broken into angular sections filled with different pattern treatments. The mane is this wild burst of feathers and arrow-like shapes radiating outward from the neck in turquoise, coral red, deep navy, and golden yellow. The background negative space has a scattering of geometric small shapes, triangles and diamonds, that give the whole composition a native-art inspired look without copying any specific tradition directly. Its bold and graphic and reads really clearly from across a room.
The density on the geometric infill sections is significant, around 780 stitches per cm sq, so pick a firm stabiliser. Cutaway on anything with stretch, tearaway on stable wovens, but honestly cutaway is my recommendation on this one regardless because the angular fill paths put tension in multiple directions and you want a base that holds the whole thing flat until its off the hoop. On denim or canvas tote bags it looks incredible, the turquoise and coral against darker fabric backgrounds really pops. Add a layer of topping on terry cloth or fleece so the fine geometric details in the mane dont lose definition.
An equestrian buyer last week put the 6 inch version on a canvas zip pouch she was making for a riding friend and said the response at the yard was immediate. Pop the 4 inch on a denim jacket back yoke for something a bit more subtle. Try it on a cream or white cotton tote and the whole tribal palette sings. The 7.5 inch fills a fleece blanket panel beautifully if you hoop it with the horse head roughly centred and a bit of negative space around the mane.
Message me a photo if the mane feathers come out heavier than mine.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Denim jacket back panelThe 5.5 inch fills a jacket yoke beautifully, especially on dark indigo denim where the blue mane really pops.
- Fleece hoodie chestFleece pulls at long satin strokes so pair it with a firm cutaway stabiliser before you hoop.
- Canvas tote or gear bagCanvas bags take the 4 inch without any backing drama, and the two-colour mane reads strong on natural tan canvas.
- Twill cap frontThe 2.6 inch sits nicely on a structured cap front without crowding the brim seam.
- Equestrian vest or riding jacketRiding jackets in black twill show off the white outline face and the blue mane at their sharpest.
- Throw pillow on a western-theme sofaCentre the 5 inch on a charcoal or navy pillow cover and the tribal lines look almost painted on.
- Black cotton t-shirtBlack cotton jersey needs a cutaway stabiliser and water-soluble topping to keep those fine outline stitches crisp.
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 2.58 × 3.50 in | 6,836 |
| 3.31 × 4.50 in | 8,648 |
| 4.05 × 5.50 in | 10,436 |
| 4.78 × 6.50 in | 12,213 |
| 5.52 × 7.50 in | 14,028 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










