Two-line word stack. Top line reads unapologetically in a slim black handwritten cursive that runs across the full width. Underneath that, DOPE in massive chunky uppercase blocks where each letter is a different colour from the Pan African palette, the D in red, first O in green, second O in yellow, and the E in black. Every block letter drips. Wet paint trails run down past the baseline with little teardrop droplets pooling at the bottom of each letter.
4 colours, 4 sizes. Black, red, dark green, yellow. Bobbin runs through both the cursive top word and the block bottom word. Stitch range is 6,104 at the smallest 3.01-inch wide all the way to 13,413 at the largest 6.01-inch. Density sits at 439, on the denser side, which the dripping letterforms need so the paint trails dont look patchy. I digitised this in industry tools with horizontal directional satin on the block letters and a thinner running fill on the drip teardrops to keep them tidy. Up top the script word uses a satin column with light tearaway underlay to stop wobbling on the curves.
A customer messaged me last march, she did the 5-inch wide version on the back of a cropped black hoodie for a friends birthday gift, and she swapped out the standard green thread for a metallic gold to play off her friends gold hoops. Worked suprisingly well, the drippy texture reads even louder with metallic catching light. Honestly its the best swap Ive seen on this design.
Best fabric pairings include heavyweight cotton fleece, black or white tees, denim jackets, canvas tote, or sweatshirt. Avoid stretchy lightweight knits because the drip letters need a firm base to hold their shape, the paint runs will warp on jersey that has any give. Hoop with medium cutaway and add a layer of water-soluble topping if youre stitching on textured fleece, the lettering details get lost otherwise. Skip nylon and slick performance fabrics, the satin density wont sit flat on them. The smallest 3-inch wide reads fine from a metre away cause the colour blocks carry the design even when the script lettering above starts to compress.
Text me through the contact form if you need a one-off size resize or want this colourway recoloured for a different palette, ill rework the stitch file and send it within the day.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- cropped hoodie back panel for streetwear or birthday giftRun the 6-inch wide version across a cropped black hoodie back panel with metallic gold swap on the green block
- black or white cotton tee chest printStitch the 4-inch wide on a white cotton tee chest with light tearaway and the drippy text reads loud
- canvas tote bag front for everyday carryPop the 5-inch on a book club tote front for a daily-carry bag with attitude and weekend energy
- denim jacket back yoke statement patchEmbroider the 6-inch wide on the denim back yoke panel with heavy cutaway for a statement patch
- sweatshirt front panel on heavyweight fleeceHoop the 5-inch on a charcoal sweatshirt front with water-soluble topping for crisp drip teardrop detail
- framed 8-inch hoop wall art for a bedroom or dormFrame the 6-inch in an 8-inch black wood hoop as bedroom or dorm wall art with a graffiti edge
- throw pillow front for a teen room accentUse the 4-inch on a black cotton cushion cover front for a teen reading nook or game-room accent
Dimensions
4 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.01 × 2.54 in | 6,104 |
| 4.01 × 3.39 in | 8,512 |
| 5.01 × 4.23 in | 10,798 |
| 6.01 × 5.08 in | 13,413 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










