Big crimson and charcoal hearts cluster at the top left, overlapping and stacked at different angles like they just collided and are scattering outward. The composition sweeps down and to the right in a curved arc, the hearts getting smaller and more spread out as the trail goes, until the very end is a line of tiny paired hearts no bigger than a thumbnail. One hot pink heart sits roughly two-thirds down the arc, small enough that it almost reads as a mistake until you look properly, and then it becomes the thing your eye keeps coming back to.
Three colours total: deep black, saturated red and that one pink accent. No text, no border, no symmetry anywhere. The whole layout is movement, the visual equivalent of releasing a fistful of paper hearts and catching them mid-fall. Against a plain white or cream background it sits like an illustration that happens to be stitched.
Stitch count goes from 6,403 on the smallest to 18,294 on the big 7-inch. Thats a genuine mid-to-heavy output with 3 thread stops, so factor in your bobbin checks. The larger hearts are solid satin fill, which is where most of the density sits. Let each colour section run to completion before stopping, the satin edges look cleaner if the machine isnt interrupted mid-fill.
This earns a light or white background more than most designs in my shop. Cream cotton, natural linen, pale blush quilting fabric all work well. My neighbour stitched the 6-inch on white muslin last january and hung it in her daughters room, said people thought she bought it from a boutique. On a cushion in a teen bedroom it reads more like poster art than seasonal decor. Sizes go from 3.48 by 3.51 inches up to 7.46 by 7.51 inches.
Use medium cutaway stabiliser and hoop firmly since the sweeping arc crosses grain in multiple directions. Stitch the large anchoring hearts first, let them set the stabiliser, then bring in the smaller trailing ones. The pink accent is a quick satin stop but dont skip it, thats what gives the design its energy. Float a water-soluble sheet on fluffy fleece or velvet so the fine trailing hearts dont sink into the pile.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Wall hanging on stretched muslin or linen canvasStretch natural muslin over a 10-inch canvas frame, stitch the large version centred, and hang as bedroom wall art
- Cushion cover for a teen or kids bedroomCentre the 6-inch on a white cotton cushion cover for a teen room that feels more like gallery art than holiday craft
- Tote bag front panel with a scattered, illustrative feelRun the 5-inch on a oatmeal canvas tote front for a gift bag that actually gets used after valentines day
- Valentine door banner or hoop wall decorStitch the large version on white cotton stretched over a 12-inch hoop and hang on a door as a february decoration
- Cotton sweatshirt yoke or shoulder placementPlace the 4-inch across the upper chest yoke of a pale sweatshirt so the sweeping arc follows the shoulder line
- Quilt block for a memory or seasonal quiltUse the mid size as a statement block in a seasonal quilt alongside solid burgundy and blush fabric squares
- Pillowcase front panel for february beddingEmbroider centred on the front panel of a white pillowcase for a limited-edition february bedding set
- Framed hoop art as a standalone giftStitch the 5-inch in a 10-inch hoop, leave the linen backing raw-edged and give as a framed hoop valentine gift
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.48 × 3.51 in | 6,403 |
| 4.48 × 4.51 in | 8,807 |
| 5.47 × 5.51 in | 11,606 |
| 6.46 × 6.51 in | 14,756 |
| 7.46 × 7.51 in | 18,294 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










