This vintage wildflower meadow is the kinda design that looks like it fell outta an old botanical sketchbook. The flowers cluster together at the base, stems crossing and weaving, and they rise up at different heights so the whole bunch feels wild rather than arranged. Some blooms are wide open with rounded petals, others are still tight round buds on tall stems. Gonna be honest, the variation in height and shape is what makes it look so natural. Theres thin grass blades and little leafy sprigs woven between the flower heads that fill the gaps without crowding.
Colour palette is warm and earthy. The bigger open blooms go in a rich burnt orange. The smaller petals and the buds stay cream-white with tan shading. Stems and grasses are olive and brown, all sitting within a narrow warm range that makes the whole thing feel unified. The crosshatch shading on the petals adds depth without loading on extra thread colours, kinda like a copper engraving printed in ink. I've been digitising botanical pieces for years and this is one where the stitch direction on the petal fills really earns its place.
My niece runs a small wildflower jewellery business and I made this originally for her packaging. She uses it on linen pouches and card-stock gift tags stamped from a custom patch. Since then I get orders from a few other handmade goods sellers who do cottage-style home products. It sits really nicely on natural materials. Trailing fragment that just works. Timeless in that way.
Stitch on cream linen, oatmeal cotton, or natural hessian for the best vintage feel. Avoid synthetic or bright white fabric because the warm orange pops best on off-white and natural tones, its just too cool and clean otherwise. Pop the 7.5-inch across a tote front, or the 5-inch on a cushion cover centre. Skip stretchy knit fabric here, the fine crosshatch fill sections need a stable woven base to hold clean.
Stitch count is 28k on the smallest and climbs to 63k on the biggest, so give it a proper cutaway stabiliser underneath on anything finer than medium-weight linen. Hoop the linen drum-tight and use a water-soluble topping on the textured weave so the crosshatch lines dont sink into the fabric grain. If theyre sinking, youve got the tension wrong. Bug me on chat if anything looks off when you stitch it out.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- Linen pouches for handmade gift packagingStitch the 4-in face on a small natural linen drawstring pouch and use it as gift packaging for handmade jewellery or candles.
- Wildflower jewellery brand product wrappingA wildflower jewellery seller I know uses the 5-inch on her kraft-card gift tags as a custom-brand stamp impression.
- Cream cotton cushion covers for cottage decorEmbroider on a cream cotton cushion cover for a cottage living room shelf and it looks like a framed botanical print.
- Canvas tote bags for farmers market sellersPop the 7.5-inch on a craft-show tote for a farmers market stall bag that doubles as the brand identity.
- Table linen and napkin setsStitch the meadow on cream linen napkins for a boho-style wedding reception table setting, kinda elegant without being fussy.
- Botanical art hoop framingHoop it in a wooden 8-inch frame on cream linen and hang it as a botanical wall piece for a studio or home office.
- Wedding favour bags on natural hessianUse the 4-inch on natural hessian wedding favour bags tied with twine for an outdoor garden ceremony.
- Pressed-flower workshop and florist apronsA florist shop uses the small 3-in on their staff apron chest pocket for that craft-studio aesthetic.
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.51 × 3.42 in | 28,889 |
| 4.01 × 3.90 in | 32,862 |
| 4.51 × 4.39 in | 36,920 |
| 5.01 × 4.88 in | 41,146 |
| 5.51 × 5.36 in | 45,539 |
| 6.01 × 5.85 in | 49,788 |
| 6.51 × 6.34 in | 54,348 |
| 7.01 × 6.83 in | 58,931 |
| 7.51 × 7.31 in | 63,709 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
