Three yellow daisies and two white ones, loosely arranged like someone just cut them from the garden and set them down. The yellow flowers are that proper sunflower-golden shade with dark brown centres, petals fanning out with directional fill stitching so the texture runs along each petal rather than across it. The white daisies sit lower and tucked behind, petals rendered in off-white satin rows. Both types share those warm brown seed-dot centres.
The leaves are where most of the stitch count lives. Big bold variegated leaves in forest green with contour veining lines, a teal-green layer behind and moss olive at the base, all with yellow edge highlighting that gives tropical foliage its distinct pop. my standard software used layered directional fills on the foliage with underlay switching between petal sections and greenery sections to prevent density changes from puckering the fabric at boundaries. Eight colours, 7 thread changes per size. Stitch count: 23,607 at the smallest 3.39-inch size, climbing to 57,054 at the full 7.27-inch width. Its a fairly substantial run time at the top size, so dont kick it off right before dinner.
I get messages on the bigger sizes of this one specifically. A buyer last summer ordered the 5.5-inch version for a set of linen kitchen towels. She ran it on white cotton canvas backing mounted behind the linen to stop the wide foliage fills from pulling, exactly the right call. Those big green areas at the 5-inch-plus sizes will drag thinner fabric badly if your stabiliser isnt holding, so mount the backing properly before hooping.
White cotton, natural linen, and cream canvas are where this one belongs. The colour combination has enough contrast to work on mid-weight denim for a garden jacket patch too. Skip stretchy or loosely woven fabric entirely. Use cutaway stabiliser, not tearaway. Dial the machine speed back for the foliage sections, theres alot of travel between teal and moss at full size and slow stitching keeps the fill boundaries clean.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- kitchen linen tea towels and oven mittsStitch the 5-inch motif on white cotton tea towel using cutaway stabiliser behind white cotton canvas backing for the best leaf fill result
- linen tote bag spring and summer market bagPop the 4.5-inch build placement on a natural linen tote bag for a summer market bag that goes with everything
- cotton tablecloth corner floral accentEmbroider the 4-inch size in one corner of a cream cotton tablecloth for a garden party table setting that looks deliberate
- womens denim jacket sleeve botanical patchRun the 5.5-in across one denim jacket sleeve as a botanical patch, the dark green foliage reads really well on mid indigo denim
- cushion cover for garden room or sunroomHoop the 4-inch chest on a beige cotton cushion cover for a sunroom or garden room accent piece that feels hand-painted
- canvas apron front panel garden designDrop the 5-inch motif on cotton canvas apron front panel for a gift any gardener or home cook would actually use
- framed floral hoop art for kitchen wallPick a 3-in chest and hoop it in a 5-inch round frame for a kitchen wall art piece that costs less than a print
- beach bag or summer canvas toteUse the 5-in across one canvas beach tote in white thread on natural fabric for a summer bag that reads botanical and fresh
Dimensions
9 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 3.39 × 3.50 in | 23,607 |
| 3.87 × 4.00 in | 27,295 |
| 4.36 × 4.50 in | 31,013 |
| 4.85 × 5.00 in | 35,016 |
| 5.34 × 5.50 in | 39,086 |
| 5.81 × 6.01 in | 43,364 |
| 6.30 × 6.50 in | 47,778 |
| 6.78 × 7.00 in | 52,318 |
| 7.27 × 7.50 in | 57,054 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.
Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.
