The profile here is a solid black silhouette of a woman looking left, and sitting above her head is this substantial wrapped turban that takes up the top third of the design. The wrap uses wide curved bands of colour stacked together, sky blue running along the outer edge, then bright yellow, salmon peach and a section of hot pink closer to the brow. Small circular jewel-like accents sit right where the wrap meets the forehead, stitched in a contrasting colour to pick them out. Its a cleaner, more structured look than a striped fan wrap, more like a rolled and coiled turban you'd see in contemporary afrocentric fashion.
Five colour stops total which keeps the thread change count very manageable. The black silhouette is a single dense fill and the turban bands are wide satin column sections digitised in industry-grade software, each band slightly curved to follow the wrapped shape. At the smallest 4-inch size youre at about 10k stitches, at the full 8-inch the count reaches just over 34k. That density on the larger sizes means you realy want a good cutaway stabiliser underneath, not a tearaway. The curves on those turban bands need a stable base to stitch out without distorting.
A customer messaged me last spring wantin to use this for a series of tote bags for a womens cultural collective she runs. She ordered the 6-in design on cream canvas and got thirteen bags done in a batch. She told me the colour-to-colour registration was clean every time, which pleased me cos these curved satin fills can shift if the hooping isnt firm.
Cream, ivory, or warm white fabric works best and lets all five colours read at full saturation. Avoid yellow or orange grounds because the yellow band in the turban disappears. The 4-inch or 5-inch size works on tee chests, the bigger sizes are better on bags, cushions or jacket backs. Pair with tearaway on lighter garments if youre using the smaller sizes only.
Hoop tightly and slow your machine down a notch on the satin band sections, especially on the curved outer edge of the blue band at the 6-inch and 8-inch sizes. That outer curve is where the stitch density is highest and rushing it can cause pull.
What people are using this design for
A starting point. The design works for plenty more than just this list, this is what folks have stitched it onto most.
- afrocentric tote bag for cultural collective or marketStitch the 6-in design on cream canvas totes for a cultural collective batch and the five-colour turban pops cleanly every run
- cushion cover or throw pillow for afrocentric home decorEmbroider the medium size onto a linen cushion cover as an afrocentric living room accent piece in warm neutrals
- black history month or kwanzaa celebration shirtUse the mid 5 inch on a short-sleeve tee for black history month merch that feels considered rather than generic
- denim jacket back panel or sleeve patchHoop the 8-inch version on the back panel of a denim jacket for a wearable-art statement piece
- framed hoop art piece for a home studio or gallery wallMount the 4-inch finish in a wooden hoop and hang it alongside other framed embroidery in a gallery cluster
- zip pouch or cosmetics bag for a cultural giftSew the finished embroidery panel onto a zip cosmetics bag as a handmade cultural gift that photographs beautifully
- womens empowerment group or sorority branded itemAdd the 5-inch to a tote or tee for a sorority event or womens group fundraiser branded run
Dimensions
5 sizes included. Stitch counts shown for the largest colorway.
| Size (in) | Stitches |
|---|---|
| 4.01 × 3.15 in | 10,342 |
| 5.01 × 3.94 in | 15,084 |
| 6.01 × 4.73 in | 20,651 |
| 7.01 × 5.52 in | 27,034 |
| 8.01 × 6.31 in | 34,340 |
Files & Formats
Eight machine formats included in one zip. Whichever your machine reads, its in the pack.








Plus a color chart for thread matching. See full format guide.
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About the artist
Reyazul Masud Riham, hand-drawing every design on this site
Every design on Re Embroidery is hand-digitized by one person. Each file gets sketched, color-matched, and stitch-tested on real fabric before it earns a place in the shop. No team. No auto-conversion from images. Just slow, deliberate work, sometimes three or four days per design.
That's the joy I work for.
The hard part is finding my designs re-uploaded and resold elsewhere. So when you buy from Re Embroidery, you're paying one real person for the file you're about to download. That matters.










